A quick post before bed - it is barely past 10 PM and I can almost not keep my eyes open... I think that the sharp twists in the weather leaves my body behind somehow (and may brain apparently even further away), so I am walking around in a daze most of the time right now.
Anyway, I did manage to finish up the small cross-stitch designs this weekend. This is one of Homespun Elegance's annual Christmas ornaments kit from 1997 - picked up at E-bay for cheap! It is always so much fun to translate the vision of how the finished ornament will look into reality (with varying results....).
Over that past couple of years, I have found myself drawn to kits more and more. I am just too lazy to kit things up by myself nowadays! ;-)
Here is the little scissors fob (by Prairie Moon). Look in the progress picture how the blue bled like crazy during the ironing (with full steam) step. Luckily, this is one of those "scrappy chic" designs, so I was actually pleased wit the result. I was even a bit suspicious at my own reaction, since normally I tend to be bit of a perfectionist. I guess that you just have to pick your battles, right?
I did have a lot of fun figuring out how to finish the fob up. I just made it up as I went along and I am pretty happy with the outcome of this experiment! I even carried out the final assembly using my sewing machine. The backing fabrics were taken from a charm pack of La Petite Ecole by French General - I just love their fabric collections! The "bling" came with the chart pack.
Note the window film in the door. I am absolutely addicted to bright and light environments. No candle light dinners for me - I can't see what I eat which tends to make me in more of a crabby mood than a romantic such. These films are great - no visibility from the outside, but all the light gets in. Plus the films are static cling, so no adhesive goop to clean off the windows after removing the film, not to mention that you do get almost an unlimited number of "extra chances" to get it just right when setting it up (I did use a fair number of extra chances to get it straight and even). Can't get any better in my book!
I got two patterns, geraniums and orchids, when I was in Sweden a couple of years ago. I wish that I had more wondows, because this baby would be installed next!
Anyway, here is a somewhat better view:
If you are interested in picking up a roll to try it out for yourself, here is the link to the Geranium film at Scandinavian Design Center. The design company is Strössel (which is Swedish and means sprinkles, the type that is used as toppings on ice cream and cakes) - here is their web-site. Let me know what you think if you decide to try it out!
Speaking about geraniums, they are an absolute favorite flower of mine. I just potted a tray on Sunday. Love to pot plants; it takes no time compared to digging holes in the KY clay...
Before:
After:
The sweet ceramic bird-bath is a 2-piece deal. The top part was broken no less than twice and is now beyond repair, so I picked up a big plant saucer from Homedepot and voila! We are open for bathing season this year again!
Also, since we are talking geraniums, I just have to show this adorable embroidery design stitched up by my Godmother. This is a table cloth in stamped embroidery from the Swedish company Fingerfärda,
It is based on a Swedish story by Elsa Beskow; Sagan om den Lilla Lilla Gumman (The Tale of the Little, Little Old Woman). Elsa Beskow was an Art Nouveau artist, which is a style I am very attracted to. Here are a few examples of the illustrations to the story. (Elsa was only 23 when she wrote and illustrated this childrens' book - can you believe it!?)
Well, what about The Birdcage? It is coming along, slowly... I was thrown off schedule once I realized that there were some details in the finishing that I just could not fall head over heels for. Changes had to be done! Anyway, I think that those birds in their cage will be wrapped up in one more evening or maybe two. Until then, here is a teaser!
Oh, and finally; DH expressed some concern about not having any space in the kitchen to cut up his dinner pizza. I don't understand what he is getting at....
Guess that it is time to pile things back up into neat stacks, huh!? That should fool him for a few more days... ;-)
Thanks so much for stopping by, take care and Happy Stitching!
If you would like to write me more in private, please send me a line at OneStitchNirvana@gmail.com
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Tuesday, May 10, 2011
Sunday, May 8, 2011
Vera Frisén - Painter of Serenity
Hi all! Today, I would like to share something extra special with you, since it is my dad's birthday! Happy Birthday, dad! This one is for you! :-D
(Ok, I'm fessing up! My dad's birthday was yesterday; this post just took a lot longer to write than I thought it would...)
I mentioned in an earlier post that we went on an exhibition to see paintings by my father's aunt and my grandmother's older sister, Vera Frisén. Vera was a fantastic painter, a kind and lovely person, and she lived a very interesting life.
I only met Vera a handful of times and mainly when I was a young girl. I remember a petite, softspoken lady, with a mass of very dark hair arranged in a large knot on the top of her head. Shy, calm, but with quick and observant eyes. I also recall Vera's husband, Olle (Olof Stroh), as a tall gentleman, relaxed, anchored in reality, and the center of the party with a catching and boisterous laugh. I recall, even though I can not have been many years old, that there really was something special between husband and wife. They looked inseparably, even though they were very much their own persons.
This portrait shows Vera and Olle together, with a couple of her paintings on the wall behind them:
The exhibition that mom, dad, Littlest Sister, DH, and I went to was held at the Thielska Galleriet on Blockhusudden in Stockholm. If you ever happen to find yourself in Stockholm with no plans, find your way out to Thielska! The paintings are absolutely fantastic and the architecture of the house awesome.
Vera's paintings are currently exhibited temporarily together with the modern artist. Karin Granqvist (here is an example of the fresh and interesting combination of their highly individual styles). Both artist's paintings are offered for sale.
We all had a grand time. We were both admiring Vera's and Karin's paintings together with other, much well-known and loved Scandinavian artists, such as Edvard Munch, Bruno Liljefors, Carl Larsson to name just a few. We were not allowed to take pictures of the fixed exhibition, but we could take photos of Vera's paintings. Here we are!
Note to self: Next house needs to have adorable, yellow, circular, sun-room with geraniums in the window-sills, on an island next to the ocean..... Oh, and Littlest Sister in it - that would be great! :-)
After walking through all the floors and finding all the hidden rooms, we had coffee in the backyard with a view of the glittering ocean. Even DH smiled for the camera and that does not happen every day!
I asked my dad to tell me about Vera's life and he sent me an e-mail last week, which I am (very loosely) translating here:
"Vera was born in Umeå 1910, as one of six siblings, to the parents Gottfrid och Jenny Frisén. She studied painting in Stockholm at the end of the 1920:s at Otte Skölds Painting School (Otte Sköld was a professor at the University of Art in Stockholm and the President of both the Swedish National Museum and the Modern Museum). Vera became sick in tuberculosis at the beginning of the 30:s and spent years nursing her fragile health back to full strength at many different sanitariums all over Sweden. She fully recovered at the end of the 30:s and decided then to move to France and Italy to paint.
When the Second World War started in 1939, Vera had to move back to Sweden, to her parents' home in Umeå. Her first exhibition was located at the gallery "Färg och Form" (Color & Shape) at Sturegatan in Stockholm, 1941. Her work was well received by the critics. The next exhibition occurred in Umeå 1944. After that, ther were no exhibitions until 1989, also this exhibit was hosted by Färg och Form. Vera had a hard time parting from her paintings and she never had to sell them thanks to economical independence.
Vera passed away in 1990. Vera and Olof Stroh, who was an officer in the Cavalry when they met, married in 1942. Olle was 8 years younger than Vera and he was son of a Canadian, Alfred Stroh Ph.D., who had moved to Sweden to study Emanuel Swedenborg. While in Sweden, Dr Stroh met his future wife Signe Bergquist. Dr Stroh passed away when Olle was only 4 years old and the family stayed in Sweden.
Vera definitely had her favorite motifs. Her parents had a summer house (a converted farm) in the village of Stöcksjö about 7 km outside Umeå, where my father spent many summers and my mother and father were guests at Vera's the summer before I was born. Close to the house lies the Röbäcksslätten (a large meadow), where Vera painted many pictures, often with close-ups of grass strands and with small, gray barns. Here she could also go out in the mires with the pine trees that she painted in many, many versions. When Vera's parents passed on, she bought out the house from the siblings so that she could use that as her base for her painting. She did also spend some time in the spring in the village of Kolksele, which is located at Vindelälven (river), where she also painted the river in many different versions. Vera och Olle did also build a cottage at Alvaret on Öland, a circular house in local lime stone. Here, she painted Allvaret in many different versions.
Olle was relocated to Morocco while working for WHO, 1959-60 (he was borrowed in from the Swedish Military to WHO) and Vera moved with him and painted here too. Later, Olle became the Secreatry General fro the Swedish Red Cross. The couple lived in Geneva for a period of time, but it is not known whether Vera ever painted anything in Geneva."
Whiew!!! Thanks dad!!!!
Dad and I also spoke on the phone earlier today and he told me some other tidbits that I thought were interesting.
- Vera sew all her own clothes
- Vera was the second oldest child. She had one older brother, Gustav, and her younger siblings were, in order, Oskar, Kurt, Hjördis (my charming and very much missed grandmother), and Kerstin.
- My grandmother was a promising singer with a beautiful voice and wanted very much to study song. Her mother put an end to these dreams by stating that "One artist in the family is enough!"
- Vera's brother Kurt was an officer in the Swedish Cavalry and he brought home one of his officer friends, Olle Stroh, for dinner one day. Very, who was pretty shy and introvert, hid in the closet when she heard that company was over. Well, she couldn't hide there all night, so she finally had to come out and that was the first time she met her future husband.
- Olle became Secretary General for the Swedish Red Cross and served between 1960 and 1978. There is a book about Olle written by Claes-Göran Landergren and published in 1999, called "Faithful to an Idea: The Book about Olof Stroh, Secretary General Swedish Red Cross 1960-1978". Vera and Olle travelled a lot together through Olle's work and this is where Vera got the chance to paint more exotic landscapes.
- Vera and Olle never had children. After selling out all her paintings during her very first exhibition, Very broke down and, obviously in pain, stated that "It is like selling your own children". She did not take initiative to exhibit her art again.
- Vera was very productive. She developed a technique that would allow her to paint very quickly. This made it possible for Vera to catch the special and unique, hard-to-catch atmosphere that only the special short-lived type of light gives us. She painted the clear summers, the dusk over the mires, the dawn in the forest, and the early morning mist.
- Vera hated to paint hands...
- She was a very gifted portrait artist, and my parents have some of Vera's pencil sketches of themselves that are pretty extraordinary.
- The exhibitions that have been held after Vera's death has been through her extended family, who inherited all her art. The entire collection was divided up and distributed to the decedents of her siblings.
- Olle passed on in 1989 and he was followed by Vera in 1990.
- In 2008, Felicia Tolentino wrote her dissertation on Vera's work; this work is based on the paintings that my father's younger sister and her husband inherited. You can read the abstract here and if you speak Swedish, the dissertation is down-loadable. :-) If you don't read Swedish, you can at least see more of Vera's paintings in the document.
Here are a couple of Vera's self portraits (note the lack of hands! ;-)):
Finally, I am so very lucky to be part of a very generous family. DH and I have a few paintings at home. Last time we were home, we also got to pick out a painting fro my MIL from my parent's collection!
I chose to hang both of my framed paintings in the guest bedroom (they are framed because they were unsold paintings from a couple of exhibitions). I think that they are really beautiful! As usual, pictures do simply not make these pieces justice. (Note the IKEA "art" in form of lampshade and plush toys; a bunny driving a carrot car and a giraffe driving a strawberry....)
Well, time to jump into bed! If you read all of this - thank you so much! I know that it has nothing to do with stitching, but this is my dad's heritage, so it feels really important to me, and I am so happy and proud to be a part of my family.
Well, time to stop blubbering... I'll show you how finishing Friday went some other day. :-)
Happy Stitching and talk with you in a bit!
(Ok, I'm fessing up! My dad's birthday was yesterday; this post just took a lot longer to write than I thought it would...)
I mentioned in an earlier post that we went on an exhibition to see paintings by my father's aunt and my grandmother's older sister, Vera Frisén. Vera was a fantastic painter, a kind and lovely person, and she lived a very interesting life.
I only met Vera a handful of times and mainly when I was a young girl. I remember a petite, softspoken lady, with a mass of very dark hair arranged in a large knot on the top of her head. Shy, calm, but with quick and observant eyes. I also recall Vera's husband, Olle (Olof Stroh), as a tall gentleman, relaxed, anchored in reality, and the center of the party with a catching and boisterous laugh. I recall, even though I can not have been many years old, that there really was something special between husband and wife. They looked inseparably, even though they were very much their own persons.
This portrait shows Vera and Olle together, with a couple of her paintings on the wall behind them:
The exhibition that mom, dad, Littlest Sister, DH, and I went to was held at the Thielska Galleriet on Blockhusudden in Stockholm. If you ever happen to find yourself in Stockholm with no plans, find your way out to Thielska! The paintings are absolutely fantastic and the architecture of the house awesome.
Vera's paintings are currently exhibited temporarily together with the modern artist. Karin Granqvist (here is an example of the fresh and interesting combination of their highly individual styles). Both artist's paintings are offered for sale.
We all had a grand time. We were both admiring Vera's and Karin's paintings together with other, much well-known and loved Scandinavian artists, such as Edvard Munch, Bruno Liljefors, Carl Larsson to name just a few. We were not allowed to take pictures of the fixed exhibition, but we could take photos of Vera's paintings. Here we are!
Note to self: Next house needs to have adorable, yellow, circular, sun-room with geraniums in the window-sills, on an island next to the ocean..... Oh, and Littlest Sister in it - that would be great! :-)
After walking through all the floors and finding all the hidden rooms, we had coffee in the backyard with a view of the glittering ocean. Even DH smiled for the camera and that does not happen every day!
I asked my dad to tell me about Vera's life and he sent me an e-mail last week, which I am (very loosely) translating here:
"Vera was born in Umeå 1910, as one of six siblings, to the parents Gottfrid och Jenny Frisén. She studied painting in Stockholm at the end of the 1920:s at Otte Skölds Painting School (Otte Sköld was a professor at the University of Art in Stockholm and the President of both the Swedish National Museum and the Modern Museum). Vera became sick in tuberculosis at the beginning of the 30:s and spent years nursing her fragile health back to full strength at many different sanitariums all over Sweden. She fully recovered at the end of the 30:s and decided then to move to France and Italy to paint.
When the Second World War started in 1939, Vera had to move back to Sweden, to her parents' home in Umeå. Her first exhibition was located at the gallery "Färg och Form" (Color & Shape) at Sturegatan in Stockholm, 1941. Her work was well received by the critics. The next exhibition occurred in Umeå 1944. After that, ther were no exhibitions until 1989, also this exhibit was hosted by Färg och Form. Vera had a hard time parting from her paintings and she never had to sell them thanks to economical independence.
Vera passed away in 1990. Vera and Olof Stroh, who was an officer in the Cavalry when they met, married in 1942. Olle was 8 years younger than Vera and he was son of a Canadian, Alfred Stroh Ph.D., who had moved to Sweden to study Emanuel Swedenborg. While in Sweden, Dr Stroh met his future wife Signe Bergquist. Dr Stroh passed away when Olle was only 4 years old and the family stayed in Sweden.
Vera definitely had her favorite motifs. Her parents had a summer house (a converted farm) in the village of Stöcksjö about 7 km outside Umeå, where my father spent many summers and my mother and father were guests at Vera's the summer before I was born. Close to the house lies the Röbäcksslätten (a large meadow), where Vera painted many pictures, often with close-ups of grass strands and with small, gray barns. Here she could also go out in the mires with the pine trees that she painted in many, many versions. When Vera's parents passed on, she bought out the house from the siblings so that she could use that as her base for her painting. She did also spend some time in the spring in the village of Kolksele, which is located at Vindelälven (river), where she also painted the river in many different versions. Vera och Olle did also build a cottage at Alvaret on Öland, a circular house in local lime stone. Here, she painted Allvaret in many different versions.
Olle was relocated to Morocco while working for WHO, 1959-60 (he was borrowed in from the Swedish Military to WHO) and Vera moved with him and painted here too. Later, Olle became the Secreatry General fro the Swedish Red Cross. The couple lived in Geneva for a period of time, but it is not known whether Vera ever painted anything in Geneva."
Whiew!!! Thanks dad!!!!
Dad and I also spoke on the phone earlier today and he told me some other tidbits that I thought were interesting.
- Vera sew all her own clothes
- Vera was the second oldest child. She had one older brother, Gustav, and her younger siblings were, in order, Oskar, Kurt, Hjördis (my charming and very much missed grandmother), and Kerstin.
- My grandmother was a promising singer with a beautiful voice and wanted very much to study song. Her mother put an end to these dreams by stating that "One artist in the family is enough!"
- Vera's brother Kurt was an officer in the Swedish Cavalry and he brought home one of his officer friends, Olle Stroh, for dinner one day. Very, who was pretty shy and introvert, hid in the closet when she heard that company was over. Well, she couldn't hide there all night, so she finally had to come out and that was the first time she met her future husband.
- Olle became Secretary General for the Swedish Red Cross and served between 1960 and 1978. There is a book about Olle written by Claes-Göran Landergren and published in 1999, called "Faithful to an Idea: The Book about Olof Stroh, Secretary General Swedish Red Cross 1960-1978". Vera and Olle travelled a lot together through Olle's work and this is where Vera got the chance to paint more exotic landscapes.
- Vera and Olle never had children. After selling out all her paintings during her very first exhibition, Very broke down and, obviously in pain, stated that "It is like selling your own children". She did not take initiative to exhibit her art again.
- Vera was very productive. She developed a technique that would allow her to paint very quickly. This made it possible for Vera to catch the special and unique, hard-to-catch atmosphere that only the special short-lived type of light gives us. She painted the clear summers, the dusk over the mires, the dawn in the forest, and the early morning mist.
- Vera hated to paint hands...
- She was a very gifted portrait artist, and my parents have some of Vera's pencil sketches of themselves that are pretty extraordinary.
- The exhibitions that have been held after Vera's death has been through her extended family, who inherited all her art. The entire collection was divided up and distributed to the decedents of her siblings.
- Olle passed on in 1989 and he was followed by Vera in 1990.
- In 2008, Felicia Tolentino wrote her dissertation on Vera's work; this work is based on the paintings that my father's younger sister and her husband inherited. You can read the abstract here and if you speak Swedish, the dissertation is down-loadable. :-) If you don't read Swedish, you can at least see more of Vera's paintings in the document.
Here are a couple of Vera's self portraits (note the lack of hands! ;-)):
Finally, I am so very lucky to be part of a very generous family. DH and I have a few paintings at home. Last time we were home, we also got to pick out a painting fro my MIL from my parent's collection!
I chose to hang both of my framed paintings in the guest bedroom (they are framed because they were unsold paintings from a couple of exhibitions). I think that they are really beautiful! As usual, pictures do simply not make these pieces justice. (Note the IKEA "art" in form of lampshade and plush toys; a bunny driving a carrot car and a giraffe driving a strawberry....)
Well, time to jump into bed! If you read all of this - thank you so much! I know that it has nothing to do with stitching, but this is my dad's heritage, so it feels really important to me, and I am so happy and proud to be a part of my family.
Well, time to stop blubbering... I'll show you how finishing Friday went some other day. :-)
Happy Stitching and talk with you in a bit!
Friday, May 6, 2011
Finally Friday - Finishing Weekend!
Do you ever feel like all your stitched up pieces just keep piling up in a box or on a shelf somewhere? That is one of my biggest problems... I just don't take the final hours to finish up! Well, this weekend I'll try to finish my newly stitched fob, ornament and the Birdcage designed by Just Nan! The laundry can wait; I'm on a mission!!!
But first I have to show off the completed part 8 of the DT SAL!
Joyce was wondering which design this is, since I neglected to share that in my last post - sorry about leaving that out... (Go and check out her progress on her gorgeous Chinese Mandala, by the way!) The design is the Sampler of Stitches by Drawn Thread. It was published as a 9-part series of "chart packs" a few years back (2008, I believe). Each chart pack (included charms or beads where the design demanded it) was $10 or more, so I told myself that if I bought all 9 charts, I would really have to stitch the sampler! Luckily, a couple of my friends were really interested in stitching the project too, so we made it a SAL and that has kept as all fairly well on track.
Just one more part to go, iron, add charms and wooohooo! Oh, I have to frame it too? Kinda' like "finishing it"...? Oh....
;-)
Here is the pile of Grand Plans... Bitten off too much? Yeah, aim high and maybe finish one ornie, is my motto!
Well, have to stop babbling - time to get that ironing board out!
But first I have to show off the completed part 8 of the DT SAL!
Joyce was wondering which design this is, since I neglected to share that in my last post - sorry about leaving that out... (Go and check out her progress on her gorgeous Chinese Mandala, by the way!) The design is the Sampler of Stitches by Drawn Thread. It was published as a 9-part series of "chart packs" a few years back (2008, I believe). Each chart pack (included charms or beads where the design demanded it) was $10 or more, so I told myself that if I bought all 9 charts, I would really have to stitch the sampler! Luckily, a couple of my friends were really interested in stitching the project too, so we made it a SAL and that has kept as all fairly well on track.
Just one more part to go, iron, add charms and wooohooo! Oh, I have to frame it too? Kinda' like "finishing it"...? Oh....
;-)
Here is the pile of Grand Plans... Bitten off too much? Yeah, aim high and maybe finish one ornie, is my motto!
Well, have to stop babbling - time to get that ironing board out!
Happy Stitching and See You in a Bit,
Thursday, May 5, 2011
Stitchy Update and Strange Candy...
The last couple of evenings I have been recovering from my cold, getting used to being back home, and relaxing after some sweaty hours in the office trying to catch back up. What is amazing is that I have actually had the energy to stitch a bit in the evenings.
Tuesday night, both the Richmond and the DT SAL came back out from the stitch room! Last night, Pink came over and, instead of going for pedicures which was the initial plan, we went to the local coffee house and brought our stitching along. We spent a few minutes stitching and several hours venting work related issues. We have very different work situations (type of work, type of companies, office size, pretty much everything is different), so it is real interesting to hear what kind of problems Pink runs into compared to the ones I struggle with. Anyway, after a large coffee, a biscotti that was far too soft, and some additional stitching time on the living-room couch after the visit was over, I can show you the following - voilà:
This is the "first third of the 8th part" of Drawn Thread's Sampler of Stitches! We are getting very close to the finish on this one! Out of the original 5 stitchers, we are only three stubborn ones left!
If you'd like to celebrate with me, click on the video below and feel free to belt along to It's the Final Countdown with Europe, which, if you didn't already know it, was a Swedish synth rock group in the 80's! (As a Swede I'd rather claim Europe than Ace of Base any day, by the way. I usually say that AoB was Norwegian and hope that I can get away with it. DH thinks that it is hilarious.....).
So, speaking on weird things from Sweden (smooth segue, ey?), did you know that Swedes love salty liquorice? We do! As a matter of fact, we love liquorice so much that we have an entire store in Stockholm devoted to it; Lakritsroten on the large central avenue Sveavägen. I just learned about this wonder of a shop from my Littlest Sister, so of course I had to stop by to see if it was as amazing as she told me it was. It is!
The store is divided into sections; one area contains salty liquorice (yum!), another displays the sweet stuff, and one section is devoted to the luxury type (Finnish and Australian). There is also a corner with gift bags and baskets, a section with the "hot" salty hard candy, an area with more unusual delicacies such as chocolate covered liquorice (this is fabulous stuff!!), and so on.
Here you can see just how large this specialty store actually is. (Note DH's less than thrilled expression in the window below....)
DH and I walked through the better part of Stockholm to get there and were lucky enough to make it in to the store about 7 minutes before closing. I did a lot of damage in those meager minutes...
Since we are speaking about salty liquorice, I would also like to share that the Swedish Swedish Fish comes in salty liquorice taste back home (scroll down the page here). This is "the real fish" in my book; the "black fish" bag is the one I select over the sad fruit flavored fish any day. Both types can be purchased at Meijer's international food isle or at IKEA (where else?).
Since I am writing about "black fish", I have to share a story. When I first started working at my current company, I had a very nice and very proper boss. The first year I had enough vacation to fly home on, I went back to spend it with my family in Sweden. Of course I had to bring some Swedish goodies back. Among other things I brought home - you guessed it -a bag of "black fish".
I was eating some at work one day and all of the sudden I got called over to my boss' office. I ran over quickly and forgot to let go of the bag. My boss looks at the bag with big eyes and asks what in the world I am eating. I explain and naturally offer him a piece or two. He takes one, very sceptically, and tells me wearily that he won't try it until later in the day.
The next day we run into each other in one of the corridors and I ask him what he thought of the Swedish candy. He laughs and goes completely red and says: " I am glad that I closed the office before I tried it; I had to spit it out in my garbage can!". Oh boy! I would have loved to see that one!
I guess that the moral of the story is that taste is in a big part acquired. That is why (some of) us Swedes also eat surströmming, sill, and lutfisk... (personally, I only eat sill out of the three). If you hadn't had enough yet, here is some additional reading about Swedish delicacies. Bon appetit!
Finally - what is better after coming home from travels than running out to the garden to look at everything that has happened since the last stroll around? It almost looks like everything exploded into greenery while we were gone. I do believe that we will lose both our Magnolia trees in the back yard (probably due to the constant rain), but other than that, everything looks wonderful. (Yep, the lawn "exploded" as well, please ignore that.... ;-))
Love the Bleeding Hearts! I may have to get some more of those...
Well, time to say "Happy Stitching" and get back to work...
Take care and talk with you in a bit!
Tuesday night, both the Richmond and the DT SAL came back out from the stitch room! Last night, Pink came over and, instead of going for pedicures which was the initial plan, we went to the local coffee house and brought our stitching along. We spent a few minutes stitching and several hours venting work related issues. We have very different work situations (type of work, type of companies, office size, pretty much everything is different), so it is real interesting to hear what kind of problems Pink runs into compared to the ones I struggle with. Anyway, after a large coffee, a biscotti that was far too soft, and some additional stitching time on the living-room couch after the visit was over, I can show you the following - voilà:
This is the "first third of the 8th part" of Drawn Thread's Sampler of Stitches! We are getting very close to the finish on this one! Out of the original 5 stitchers, we are only three stubborn ones left!
If you'd like to celebrate with me, click on the video below and feel free to belt along to It's the Final Countdown with Europe, which, if you didn't already know it, was a Swedish synth rock group in the 80's! (As a Swede I'd rather claim Europe than Ace of Base any day, by the way. I usually say that AoB was Norwegian and hope that I can get away with it. DH thinks that it is hilarious.....).
So, speaking on weird things from Sweden (smooth segue, ey?), did you know that Swedes love salty liquorice? We do! As a matter of fact, we love liquorice so much that we have an entire store in Stockholm devoted to it; Lakritsroten on the large central avenue Sveavägen. I just learned about this wonder of a shop from my Littlest Sister, so of course I had to stop by to see if it was as amazing as she told me it was. It is!
The store is divided into sections; one area contains salty liquorice (yum!), another displays the sweet stuff, and one section is devoted to the luxury type (Finnish and Australian). There is also a corner with gift bags and baskets, a section with the "hot" salty hard candy, an area with more unusual delicacies such as chocolate covered liquorice (this is fabulous stuff!!), and so on.
Here you can see just how large this specialty store actually is. (Note DH's less than thrilled expression in the window below....)
DH and I walked through the better part of Stockholm to get there and were lucky enough to make it in to the store about 7 minutes before closing. I did a lot of damage in those meager minutes...
Since we are speaking about salty liquorice, I would also like to share that the Swedish Swedish Fish comes in salty liquorice taste back home (scroll down the page here). This is "the real fish" in my book; the "black fish" bag is the one I select over the sad fruit flavored fish any day. Both types can be purchased at Meijer's international food isle or at IKEA (where else?).
Since I am writing about "black fish", I have to share a story. When I first started working at my current company, I had a very nice and very proper boss. The first year I had enough vacation to fly home on, I went back to spend it with my family in Sweden. Of course I had to bring some Swedish goodies back. Among other things I brought home - you guessed it -a bag of "black fish".
I was eating some at work one day and all of the sudden I got called over to my boss' office. I ran over quickly and forgot to let go of the bag. My boss looks at the bag with big eyes and asks what in the world I am eating. I explain and naturally offer him a piece or two. He takes one, very sceptically, and tells me wearily that he won't try it until later in the day.
The next day we run into each other in one of the corridors and I ask him what he thought of the Swedish candy. He laughs and goes completely red and says: " I am glad that I closed the office before I tried it; I had to spit it out in my garbage can!". Oh boy! I would have loved to see that one!
I guess that the moral of the story is that taste is in a big part acquired. That is why (some of) us Swedes also eat surströmming, sill, and lutfisk... (personally, I only eat sill out of the three). If you hadn't had enough yet, here is some additional reading about Swedish delicacies. Bon appetit!
Finally - what is better after coming home from travels than running out to the garden to look at everything that has happened since the last stroll around? It almost looks like everything exploded into greenery while we were gone. I do believe that we will lose both our Magnolia trees in the back yard (probably due to the constant rain), but other than that, everything looks wonderful. (Yep, the lawn "exploded" as well, please ignore that.... ;-))
Love the Bleeding Hearts! I may have to get some more of those...
Well, time to say "Happy Stitching" and get back to work...
Take care and talk with you in a bit!
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